- #All pioneer stereo master models ever made Patch#
- #All pioneer stereo master models ever made portable#
- #All pioneer stereo master models ever made software#
If you want to be creative and make things, SP-16 wins. MPC stuff is a lot deeper but thats the problem, its trying to be a standalone daw. The SP-16 is the best *Production oriented* sampler/sequencer ever made. One user had this to say, "Controversial take alert. I mean why not if cost isn't prohibiting you?) (I recommend almost any musician with hardware synths to get a Eurorack midi module and a few filters. And you can buy DSI filters in eurorack for like $100 and a case for $120 and have that. It has analog filters, which do make it one of those boxes with a real, simulated character, but MPC one has digital emulations of the old MPCs that are pretty dope. But many things are amazing on it and put the mpc to shame. Some can get over these issues while others cannot and sell. It seems you will be frustrated with it on several levels. I remember that was one criteria that got me the ONE. It cannot record polyphonic midi, apparently. It has deep flaws, like significant midi sync issues, while also being a huge success in immediacy, raw tone, and the list goes on.
The Toraiz is, from other's aggregate perspectives, the great sampler box example of a failure to reach perfection. Pioneer users have been begging on their knees and even offering to pay for an update. Boo $99 but it is a comprehensive update. I will keep it for awhile since they are releasing 2.8 for $99.
#All pioneer stereo master models ever made portable#
It's almost worth keeping for that and a portable DAW since I have a desktop.
#All pioneer stereo master models ever made Patch#
Hell it has an auto sample to take a synth patch and put it to each pad, stepping each note along the way. IMO it's jack of all trades and master of sample chopping to pads. Basically to not have to compromise in my productions live.īut, their users are right when they say the Akai workflow is something to get used to. I got it for shows to brute force away any part of my set that was too hard to do with a modular. I have an MPC ONE that I am likely going to sell if I find a suitable replacement. Is there any reason I should not consider getting the TORAIZ SP-16? From anyone's experience who owns one or has used one, is there any reason you will tell someone to stay away from it? I am so tempted to buy one because it looks really well built as Pioneer stuff always is and it just looks and feels "fun".
I know the Pioneer is a little older and simpler than the Akai's but it just looks fun. Although it's not a feature rich as the Akai's, it is just fun and simple. I get the same sense from the Pioneer TORAIZ SP-16. Although the ASR-10 didn' t have a ton of features, it had core features that worked well and it was fun and since it was fun I enjoyed making music. I know it doesn't have all the features of the Akai's and the sequencer and sampler isn't as powerful but it reminds be of the older Ensoniq ASR-10. However, I have been seriously considering getting the Pioneer TORAIZ SP-16. I like the Akai's as they look very feature rich and flexible and are true stand alone units.
#All pioneer stereo master models ever made software#
I don't like the Machine because it's too dependent on the computer and I just don't like the software and workflow. I have been looking at the MPC One and Akai Force. Then I want to dump it into Ableton and add the finishing touches and record the vocals. I want to use it to sketch out the track with drums, bassline, instruments, samples, etc. So I am looking for a stand-alone sequencer/sampler that is fun and easy to use.
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